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DUMBO Walls Brings Art Beneath the BQE

_MOMO

Using Brick Walls as Canvas, International Artists Transform DUMBO’s Streetscape into a Vibrant Mural Destination with Works by CAM, DALeast, Eltono, Shepard Fairey, Faith47, MOMO, Stefan Sagmeister, and Yuko ShiMIZu

DUMBO, Brooklyn (August 1, 2013) The DUMBO Improvement District and Two Trees Management Co in partnership with the New York City Department of Transportation Urban Art Program (NYCDOT) and the Jonathan LeVine Gallery, announce the creation of DUMBO Walls, a series of eight outdoor murals packed within a four-block stretch of DUMBO along the BQE.

This extensive project is being presented through the NYCDOT Arterventions program with funding provided by the DUMBO Improvement District and Two Trees Management Co. Participating artists include CAM, DALeast, Eltono, Shepard Fairey, Faith47, MOMO, Stefan Sagmeister, and Yuko Shimizu. Works by CAM, MOMO, Stefan Sagmeister and Yuko Shimizu are presented by the DUMBO Improvement District and Two Trees Management Co. Works by DALeast, Eltono, Shepard Fairey and Faith47 are presented by Jonathan LeVine Gallery and Wooster Collective, in conjunction with 10 Years of Wooster Collective 2003—2013, a group exhibition on view at 525 W 22nd Street from August 7—24, 2013.

ABOUT THE ARTISTS

DALeast was born in Beijing, China in 1984 and is currently based in Cape Town, South Africa. He studied sculpture at the Institute of Fine arts and began doing street art in 2004 under the alias DAL and has since become one of the most promising artists of the new international scene. Painter, photographer, sculptor and video maker, the work of DAL is representative of a new season in street art. He takes from contemporary art a multidisciplinary approach and a critical vision, combining it with the spirit of urban art that plays with architectural elements and perspectives. DAL is inspired by the way the material world revolves, how the spiritual world unfolds, life’s emotions and the infinite space around us. He uses different mediums, methods, disciplines and spaces to create his works.

Eltono, a native of France, is a street artist known for his constructive approach and sensitivity to medium and location. His improvisation in situ of forms and colors helps integrate his work within an already existing balance found in the location he has chosen. He almost always choses neglected surfaces with the intention of reviving their dignity and to take advantage of the power found in aged textures. Such pieces are seldom very visible, which adds privacy to the fortuitous meeting with his work. Renouncing the visibility sacrifices numerous public encounters with his work, but in return increases the pervasiveness of each piece. Eltono’s work may be found in cities around the world, including Beijing, Warsaw, Tokyo, Lima, Milan and Mexico City.

Shepard Fairey was born in Charleston, SC in 1970. He currently lives and works in Los Angeles. In 1989, as a student at the Rhode Island School of Design, Fairey launched an ambitious campaign of stickers featuring the wrestler Andre the Giant and became internationally known using the slogan The Medium is the Message in his Obey Giant street campaign. In the two decades since then, his artwork has been exhibited in numerous galleries, museums and collections around the world. He designed the iconic “Hope” graphic for Presidential Barack Obama used during the candidate’s campaign in 2007-2008. In January 2009, during inauguration week, the “Hope” image was acquired by the Smithsonian National Portrait Gallery, and became part of their permanent collection. In February of 2009, a mid-career survey of Shepard Fairey’s work over the past 20 years was the subject of his first museum exhibition at The Institute of Contemporary Art in Boston. In 2010, the show traveled to The Andy Warhol Museum in Pittsburgh, PA, and Contemporary Arts Center in Cincinnati, OH.

Faith47 is a self-taught contemporary street artist based in Cape Town, South Africa. Finding beauty in the brokenness of abandoned spaces, Faith initially became recognized for her numerous artworks crossing all economic boundaries on South Africa’s weathered canvas. The feeling of disillusionment in political structures and in the human condition is evident in many of her earlier works. Her recent paintings dig deeper into the mysterious unknown, conveying ways of seeing through the physical reality and into the layers underneath. Today Faith’s paintings can be found in many cities including London, New York, Shanghai, Paris, Vienna, Sao Paulo, Berlin, Nairobi, Melbourne and Vancouver.

Craig Anthony Miller (aka CAM) has grown with the visual fabric of DUMBO’s increasingly popular appeal over the last six years.  CAM’s first public appearance was in 2007 at the Rebar Gastro pub where he painted “The Brooklyn Warriors” on an interior brick facade. CAM’s art is an exploratory process, mapping shapes into images that repetitively convey messages of strength triumphing over despair. Initially influenced by stained glass, street art and the graffiti scene dominating NY’s boroughs, CAM also employs a graphic training to the canvas. The work explores holistic warriors stealthily transplanted into layered urban landscapes known as the “Warrior Within”.  The popular Hindu Deity, Lord Ganesh became a committed symbol of CAM’s work along with birds reminding us to  “Be Mindful of Your Ability to Fly” and enigmatic “Yogic” warriors. The abstract figurative depiction’s pushes urban art into an ever-growing popular Yoga community. The layered construction of the body is pure expressionism that re-defines a connection to the body, mind and spirit. CAM currently acts as the Director and curator for Rebar’s Walk Way Exhibition Space and the Co-Founder of the store The Brooklyn Heart featuring the branding of inspirational images of his work and other inspirational artist. CAM is a graduate of St. John’s University with a BFA in Graphic Design.

MOMO is an artist working outdoors with systems and homemade tools. His “Tag the Width of Manhattan” utilized the existing street grid and a custom bicycle paint-dispensing unit to write his name the width of New York City. His Street Collage demonstrates a minimalist postering technique free of printing. The MOMO Maker group of works are serial, and installed in the city with invented equipment. PLAF is an unauthorized sculpture project in New York’s water ways, taking power from NY’s tides and currents. Most recently Practical Geometry is a developing set of tools to draft, design, and organize wall murals with adapted masonry techniques. Born in San Francisco, MOMO has travelled most of his life, lived in New York for six years and currently keeps a studio in New Orleans.

Stefan Sagmeister, a native of Austria, received his MFA from the University of Applied Arts in Vienna and, as a Fulbright Scholar, a master’s degree from Pratt Institute in New York. He has designed visuals for the Rolling Stones, the Talking Heads and Lou Reed. Having been nominated five times for the Grammies he finally won one for the Talking Heads boxed set. He also won most international design awards. In 2001 a best selling monograph about his work titled “Sagmeister, Made you Look” was published by Booth-Clibborn editions. Solo shows on Sagmeister Inc’s work have been mounted in Zurich, Vienna, New York, Berlin, Tokyo, Osaka, Prague, Cologne and Seoul. He lectures extensively on all continents.

Yuko Shimizu is a Japanese illustrator based in New York City and instructor at School of Visual Arts. Newsweek Japan has chosen Yuko as one of “100 Japanese People The World Respects” in 2009. Her first self-titled monograph was released worldwide from German publisher Gestalten in 2011. The first children’s book Barbed Wire Baseball (written by Marissa Moss) came out from Abrams in April, 2013. Shimizu’s work may be seen on The Gap T-shirts, Pepsi cans, VISA billboards, Microsoft and Target ads, as well as on the book covers of Penguin, Scholastic, DC Comics, and on the pages of The New York Times, Time, Rolling Stone, The New Yorker and in many other publications over last ten years.

About Department of Transportation Urban Art Program:
Launched in October 2008, the New York City Department of Transportation’s Urban Art Program invigorates the City’s streetscapes with engaging temporary art installations. The Program partners with community-based organizations and artists to present murals, sculptures, projections, and performances on plazas, fences, barriers, bridges, and sidewalks for up to 11 months. Projects are presented within three program tracks: pARTners, Barrier Beautification, and Arterventions. For more information, visit www.nyc.gov/urbanart.

About the DUMBO Improvement District:
The DUMBO Improvement District is a 501(c)(3) non-profit organization dedicated to enhancing and promoting DUMBO, Brooklyn.  The Improvement District showcases DUMBO as a world-class destination, advocating on behalf of DUMBO’s businesses, property owners and residents.  The organization provides supplemental sanitation services, marketing, economic development, neighborhood programming and long-term planning. The Dumbo Improvement District manages DUMBO’s Business Improvement District (BID) an area bounded roughly by York Street, Bridge Street, Old Fulton Street and the waterfront. For more information, visit www.dumbo.is.

About Two Trees Management Co:
As the founding developer of the now thriving waterfront community of DUMBO, Two Trees Management Co has long supported the arts through fiscal sponsorship of leading and emerging cultural institutions and generous subsidies and donation of space to artists and arts groups. Two Trees is the founding sponsor of the annual DUMBO Arts Festival which takes place in the last weekend of September. For more information about Two Trees Management Company, visit www.twotreesny.com/arts-culture.

About the Wooster Collective:
Wooster Collective, founded in 2001 by Marc and Sara Schiller, celebrates ephemeral art placed on streets in cities around the world. The collective’s mission is to discover and document authentic art experiences via salons, lectures, exhibitions and online at www.woostercollective.com. In 2006, they organized 11 Spring Street, a monumental street art exhibition which took place in an abandoned building in downtown New York, and was chosen by The New York Times as one of the top art exhibitions of the year. In 2010, they collaborated with Carlo McCormick on Trespass: A History of Uncommissioned Urban Art, published by Taschen. They have been featured in The New York Times, Time Magazine, Good Magazine and more. As a global voice for street art, the Schillers have spoken at the Tate Modern, Design Indaba and The New Museum.

About Jonathan LeVine Gallery:
Jonathan LeVine Gallery is committed to new and cutting edge art. The gallery’s roots go back to 1995, when Jonathan’s life-long participation in punk and underground music grew into a curatorial experiment with the visual culture that surrounded him. The gallery moved to Chelsea in 2005, with an eye towards honoring and connecting with the history and context of Post War art. The Jonathan LeVine Gallery contributes to the dialogue by challenging the conventions of the canon – exploring the terrain of the high/low and everything in between. Jonathan LeVine Gallery is located at 529 West 20th Street, New York, NY 10011. For further information, please visit: www.jonathanlevinegallery.com, call: 212.243.3822 or email: info@jonathanlevinegallery.com.

A HUGE, HUGE thanks to everyone who made this project possible, especially: Lisa Kim, Kate Gavriel, Jed Walentas, David Walentas and Jane Walentas at Two Trees Management Co; Emily Colasacco, Courtney Mulligan and Wendy Feuer at NYC DOT; and Alix Frey, Jennifer Rizzo, Malena Seldin and Anna Matos at the Jonathan LeVine Gallery. 

Photos by Daniel Greenfeld. Photos 1-5 – MOMO. Photos 6-7 – DALeast. Photo 8 – Faith47.